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22

Jan

robinwiththehair:

treesaremything:

rasputin:

bonweenie:

rasputin:

ohhicas:

pixelnuggets:

collegiate-deviance:

Leonardo DiCaprio cut his hand while the cameras were rolling on the set of Django Unchained and kept moving through the scene, never breaking character, and  his real-life bloodied hand made it into the final version of the film. During one take of that scene, DiCaprio unintentionally slammed his hand into glass, creating a gash that later required stitches. But that didn’t stop him from doing his job. As his hand bled quite visibly, DiCaprio kept going, even using the hand as a new dramatic prop. At one point he smears his bloodied hand over Broomhilda’s face in an act of evil dominance. And Broomhilda (Kerry Washington) looks horrified as he does it. (Perhaps Washington wasn’t acting!) And that was the take that director Quentin Tarantino kept in the film. (Source)

this man really wants his goddamn oscar 

Cool, I give him credit for keeping character but wiping your blood on someone is highly illegal. 

Yes, but so was slavery in 1858.

It’s not 1858, but with that mentality it might as well be.

Who gives a fuck if he wiped blood on her? He’s Leonardo DiCaprio.

I noticed it immediately. I didn’t think much of it because I was so sucked into the film. 

f4lconpunch:

love me

f4lconpunch:

love me

19

Jan

(Source: neon-bats)

09

Jan

yeahwriters:

HAPPY WHAT WOULD BE YOUR 53RD BIRTHDAY, PROFESSOR SNAPE!

yeahwriters:

HAPPY WHAT WOULD BE YOUR 53RD BIRTHDAY, PROFESSOR SNAPE!

09

Dec

Granted, in daily speech, where we don’t stop to consider every word, we all use phrases like “the ordinary world,” “ordinary life,” “the ordinary course of events” … But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.


It looks like poets will always have their work cut out for them.

Wislawa Szymborska, “The Poet and the World”, Nobel Lecture, 7 December, 1996 (trans. Stanislaw Baranczak & Clare Cavanagh)

(Source: litverve)

(Source: trichopathophobia)


“I feel like sometimes I’m in my own little world and you’re always next to me and I don’t know how you do it but you understand me.”

“I feel like sometimes I’m in my own little world and you’re always next to me and I don’t know how you do it but you understand me.”

(Source: olkwa)